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Across 110th Street
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HEROES OF "Across 110th Street"
Across 110th Street
CRITICS OF "Across 110th Street"
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TV Guide
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May 23, 2014

Smartly edited with terrific location work in New York City. The dependable Kotto is a standout.
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New York Times

May 09, 2005

It manages at once to be unfair to blacks, vicious towards whites and insulting to anyone who feels that race relations might consist of something better than improvised genocide.
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Chicago Reader
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February 17, 2002

Extremely seedy and violent, this 1972 feature by Barry Shear and cinematographer Jack Priestley makes extraordinary use of Harlem locations.
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Variety
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March 26, 2009

[Across 110th Street] is well-made, realistic in presentation and effect with uniformly good portrayals from actors, but depressingly lacking in a sympathetic focal point for audiences to grasp.
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Blu-ray.com
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September 27, 2014

Gritty and mindful of perspective, the feature is a bruising examination of power and desperation, filled with energetic chases and fiery confrontations.
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EmanuelLevy.Com
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December 20, 2010

One of the best actioners of the 1970s, this unpretentious film benefits from sharp editing, on-location shooting and strong acting.
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Video-Reviewmaster.com

March 14, 2009

Dated crime drama headed by top cast including Anthony Quinn.
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ColeSmithey.com
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March 22, 2011

[VIDEO] As exaggerated as the violence appears, it is in keeping with the social climate of the time. No punches are pulled, and rightly so.
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Radio Times
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May 23, 2014

Barry Shear's picture tries to be hard-edged and aim for realism, but doesn't always succeed.
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Film4
Resource

May 24, 2003

Before studios insisted on an injection of sugary sentiment, this what what a New York cop thriller looked like.
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Time Out
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February 09, 2006

It's a gutsy affair, given a distinct lift by the Harlem locations; and between the bouts of physical aggression, there are occasional moments of insight into the fraught relationship between Quinn and Kotto.
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PopMatters
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May 24, 2014

Violence, especially violence at the expense of the black community, has seldom been more candidly dissected and critiqued in American film as it is in Across 110th Street.
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