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Always Woodstock
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Always Woodstock

Description
When Neurotic, struggling songwriter, Catherine Brown';s life in New York City falls apart, she is forced to confront her past when she spends the summer at her childhood home in Woodstock, New York, learning that becoming successful means becoming your true self first.
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DIRECTORS OF "Always Woodstock"
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CREATORS OF "Always Woodstock"
Always Woodstock
CRITICS OF "Always Woodstock"
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The Film Stage
Resource

February 26, 2016

Catherine's journey towards acknowledging she's no better than any of the people she silently screams at in frustrated rage becomes a pit of quicksand.
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New York Times
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November 13, 2014

This is a movie that runs on magical thinking.
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New York Observer
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November 12, 2014

Another week, another benign rock and roll romance.
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Variety
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November 16, 2014

Even by its genre's comfort-food standards, this movie feels blandly circumscribed, almost child-proofed, as if any sharper reality or wit might be harmful to the intended audience.
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Village Voice
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November 11, 2014

Any film justifies its existence when it gives Katey Sagal a chance to sing.
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The Dissolve
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November 17, 2014

The film uses its setting as lazy shorthand: for the nostalgia of lost childhood, the virtues of independence, and the spiritual purity of acoustic rock.
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Tribune News Service
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November 11, 2014

Katey Sagal as a reclusive folk-rock star and the still magical setting aren't enough to recommend this thinner-than-thin musical romance.
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Paste Magazine
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November 21, 2014

Just like its lead character, the film can't decide what it wants to be when it grows up.
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Common Sense Media
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November 24, 2014

Listless romcom has flat characters, drinking.
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Slant Magazine
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November 09, 2014

The filmmakers play Catherine's disgustingly narcissistic sense of entitlement as endemic to the supposedly girl-next-door charms befitting the film's thoroughly normative gender politics.
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Los Angeles Times
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November 13, 2014

Unfortunately, Merson clutters her sometimes soulful, sensitive story with too many formulaic contrivances to impede Catherine's personal and professional progress.
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Epoch Times
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June 13, 2016

Jason Ritter's the best thing about the film, genuinely funny as a vapid but well-meaning fool-actor. His hysterically crying, post-sex monologues are hilarious.
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