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Modern Life Is Rubbish
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Modern Life Is Rubbish

Description
An interesting movie revolves around two lovers of music since their childhood. But unfortunately, it's no longer as it was. Natalie and Liam are the source of events series story. The difference between them is so deep, and that didn't appear at first. They worked together, but then they made a difficult decision. This decision may have changed their fate and their thinking together after that.
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HEROES OF "Modern Life Is Rubbish"
Modern Life Is Rubbish
CRITICS OF "Modern Life Is Rubbish"
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Daily Express (UK)
Resource

May 05, 2018

A contrived plot with a predictable twist and overuse of syrupy montages undermine its rock and roll credentials.
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New York Times
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April 26, 2018

Much of the movie...is an advertisement for male emotional immaturity.
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Hollywood Reporter
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April 26, 2018

The film is full of the signifiers of musical devotion but lacks the hummably acerbic insight of the best music it namechecks.
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Detroit News
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April 27, 2018

"Modern Life is Rubbish" has a song in its heart, and it will put one in yours.
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Village Voice
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April 24, 2018

For those who delight in candy-coated nostalgia, writer Philip Gawthorne's familiar, cliché-heavy script offers a twee jaunt down memory lane. For everyone else, even a killer Britpop soundtrack...can't save the film from overtrodden territory.
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Movie Mom
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April 27, 2018

[Josh] Whitehouse and [Freya] Mavor have great chemistry and give their thinly written characters charm and energy, which keeps us on their side through very predictable ups and downs.
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Cinemalogue.com
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April 27, 2018

Despite the obligatory eclectic soundtrack, there aren't many surprises nor reasons to care about why these two should be together.
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Film Threat
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April 30, 2018

This song [plays] wrong jarring chords.
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Times (UK)
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May 03, 2018

It's like a strange and enervating cross between High Fidelity and One Day where everyone on screen makes you want to thump yourself in the face.
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Shadows on the Wall
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April 24, 2018

Exploring a relationship by flicking between beginning and end, this British drama is skilfully shot, edited and played. But the story structure is a problem.
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Los Angeles Times
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April 26, 2018

There's a depressingly predetermined quality to this story.
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Hollywood Reporter
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December 26, 2017

Mavor and Whitehouse, both of whom appear poised to break out after a series of smaller roles in TV and indie features, demonstrate a believable chemistry, but more importantly perhaps, a convincing hostility after their breakup.
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