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A close-knit trio of the couple Freddy, Mo and their best friend Polly navigates the idea of creating life, while at the same time being confronted with a brutal scenario that causes them to take a life.
18 April 1989, Riverside, California, USA
18 August 1958, Huntsville, Alabama, USA
11 February 1958, Philadelphia, Pennsylvania, USA
9 April 1979, Santiago, Metropolitan Region, Chile
26 November 1939, Philadelphia, Pennsylvania, USA
12 April 1983, New York City, New York, USA
19 January 1976, Cincinnati, Ohio, USA
21 July 1951, Brooklyn, New York, USA
4 April 1958, Johnson City, Tennessee, USA
22 August 1973, Canandaigua, New York, USA
August 08, 2016
Nasty indeed.
October 29, 2015
Ultimately, Silva's uneven command of tone undoes whatever goodwill his actors have managed to generate. They - and we - deserve much better than this.
October 25, 2015
(The end) slams the brakes on any goodwill you had for the characters.
April 04, 2016
Wiig strolls the line between adorable and obnoxious with the ease of a pro.
October 23, 2015
Silva's screenplay has a slice-of-life feel; Sergio Armstrong's cinematography provides the natural lighting and handheld camerawork that adds to that sensation.
April 08, 2016
Nasty Baby is an off-kilter film that alternates between passages of amusement and aggravation, before it suddenly snaps into focus in its final stages
April 07, 2016
Nasty Baby is a one-trick dramedy that bets the house on a daring final-reel twist that arrives far too late to compensate for the sheer bum-numbing agony that's gone before it.
April 08, 2016
Silva captures the boho hipster milieu of the Brooklyn setting, but adds a sense of unease ...
April 10, 2016
This is one of those awkward films that depicts complacent characters while itself looking complacent, and Silva never quite seems in control of his volatile material.
October 29, 2015
An awkward scene between the artist and a local gallery director highlights Silva's fluency in the rituals of social superiority.
October 23, 2015
Nasty Baby takes aim at a fat target: gay modern-family dramedies, those well-meaning, self-congratulatory films that haven't actually felt modern in a decade.
