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Proof (1991)
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Proof (1991)
CRITICS OF "Proof (1991)"
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Ozus' World Movie Reviews
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April 25, 2010

Spellbinding unconventional psychological drama about a blind man dealing with emotional security.
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Chicago Sun-Times
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January 01, 2000

If there is a kind of movie I like better than any other, it is this kind, the close observation of particular lives, perhaps because it exploits so completely the cinema's potential for voyeurism.
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EmanuelLevy.Com
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May 01, 2011

A touching, well acted melodrama
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Washington Post
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January 01, 2000

In this quietly compelling black comedy, Moorhouse employs artistic vision and camera craft to bring the hero's humming, hand-felt universe amazingly to light.
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TV Guide
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May 04, 2010

Moorhouse has written three full, rich characters who come vividly alive as acted by the excellent cast. Though the film is unabashedly unrealistic from the outset, it never for a moment feels contrived.
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Spirituality and Practice
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August 22, 2002

Powerful and richly developed psychological drama about the leap of faith that is necessary to take if we are to have a full and vibrant life.
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Austin Chronicle
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January 01, 2000

The hook is charming and better yet, the movie follows through.
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Filmcritic.com
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September 16, 2004

Andy's actions suggest a complicated personality, but the half-assed backstory he feeds Martin does little to bring that persona into any sort of sharp relief.
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eFilmCritic.com
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September 22, 2007

The performances (especially Weaving's) have a delicacy and a questing, intellectual drive absent from most movies.
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Deseret News, Salt Lake City
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January 01, 2000

Proof is a complex relationship film, with perceptive views on faith and with trust, played out in equal parts of irreverent comedy and touching poignancy.
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Washington Post
Resource

January 01, 2000

There are adroit little truths everywhere, touching on blindness, cruelty, loneliness, deception and love. Writer/director Jocelyn Moorhouse has a dynamic knack for psychological twists, and for suspense in the unlikeliest of places.
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Film4
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May 04, 2010

Moorhouse's debut examines how much our perception of 'the truth' is moulded by others and uses an intriguing and powerful premise to illustrate her point.
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