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River of Grass
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River of Grass

Description
A dissatisfied housewife (Lisa Bowman) and her boozing lover (Larry Fessenden) are sent on the run together, thinking they've committed murder. They try to leave South Florida but lack the money to do so.
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DIRECTORS OF "River of Grass"
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CREATORS OF "River of Grass"
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CRITICS OF "River of Grass"
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Brooklyn Magazine
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December 09, 2016

This unassumingly brilliant filmmaker illuminates the sense and flavor of this disconsolate epoch in all its unheroic vexation.
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NPR
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March 10, 2016

River of Grass is very funny, but in a more somber key it also test-drives what will become Reichardt's specialty: the transformation of cheerless wastelands into backdrops for journeys of the parched soul.
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AV Club
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March 10, 2016

Reichardt subverts expectations at every turn, while simultaneously painting a vivid portrait of southern Florida (the title refers to the Everglades, and the film goes back and forth between Broward and Dade County) in all its sun-drenched seediness.
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BuzzFeed News
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April 01, 2016

It's not exactly action-filled, but its main character is explicit about what's on her mind and how deep-seated her desire to escape is.
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Village Voice
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March 08, 2016

A film of fizzy languor ... terrific ...
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Paste Magazine
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March 10, 2016

If Meek's Cutoff could be seen as an anti-Western, using the genre's tropes in defiantly subversive ways, River of Grass pulls similar tricks with crime drama and noir clichés.
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Slant Magazine
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March 07, 2016

Kelly Reichardt's film is a wry, appealingly raggedy look at the impossibility of conjuring up excitement from boredom.
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The Film Stage
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March 11, 2016

[It] isn't able to reach the peaks of Reichardt's later monumental work, but it's educational in mapping out her concerns as a filmmaker, and a stirring reminder of her abilities as a visual stylist.
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Metro
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March 11, 2016

Awash in almost-no-budget '90s indie smudge, it's a 'Bonnie and Clyde' about people who only wish they were Bonnie and Clyde.
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EmanuelLevy.Com
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June 15, 2011

This minimalist yet revisionist indie feature (Reichardt's debut) is a highlight of the 1994 Sundance Film Fest.
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RogerEbert.com
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March 11, 2016

It's almost too ethereal, it slips through your fingers when you try to grab it. Although that could be the point.
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Ozus' World Movie Reviews
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December 31, 2016

The downbeat noir story is filled with deadpan humor, a type of humor that Bowman and Fessender excel in.
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