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The Uninvited (1944)
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The Uninvited (1944)
CRITICS OF "The Uninvited (1944)"
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Q Network Film Desk
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October 29, 2013

a serious-minded, visually elegant chiller with real dramatic weight that was destined to stand apart
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Time Out
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February 09, 2006

The real strength of the film, though, is its atypical stance part way between psychology and the supernatural, achieving a disturbingly serious effect.
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Chicago Reader
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January 01, 2000

An archetypal 40s ghost story, ambitiously decked out in high studio finery, with billowing curtains and other kinds of hyperromantic kitsch that can put you in mind of death by tuberculosis, though ultimately it's a bit of a letdown.
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Newark Star-Ledger
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March 27, 2009

For modern audiences, the movie is more elegantly creepy than truly scary, but it still charms.
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Commercial Appeal (Memphis, TN)
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December 09, 2013

'This is the only way I can paint you,' says Milland, at the piano. 'Some black keys, and some white.' The speaker might as well be cinematographer Charles Lang, whose painterly compositions -- some black keys, and some white -- make this a spooky gem.
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Ozus' World Movie Reviews
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January 19, 2005

An impressive, though outdated, old-fashioned ghost story.
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MovieMartyr.com
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February 15, 2009

Decidedly more spooky than scary.
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The Dissolve
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October 28, 2013

The Uninvited was...one of the first films to treat the supernatural seriously, and to play ghosts and hauntings as something other than fodder for comedy.
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New York Times

March 25, 2006

The one thing -- and the only thing -- about this film is that it sets out to give you the shivers -- and will do so, if you're readily disposed.
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Movie Metropolis
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November 05, 2013

Its thrills and chills are little frissons that tickle the imagination instead of grabbing by the throat.
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