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Traffik (2018)
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Traffik (2018)

Description
A happy trip for a couple on a car takes them to the mountains to spend a beautiful day amid the mountains and plateaus. Brea and John went on a weekly holiday, but this time the trip is somewhat strange because it is amid vast mountains, amid a desert free from humans. But it is not entirely free. An evil gang intercepts their way; both must defend themselves against this gang.
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HEROES OF "Traffik (2018)"
Traffik (2018)
CRITICS OF "Traffik (2018)"
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Reel Film Reviews
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May 09, 2018

There's little doubt that Traffik gets off to a decidedly (and palpably) underwhelming start...
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RogerEbert.com
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April 20, 2018

There isn't an honest moment in all 96 minutes of Traffik.
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AV Club
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April 20, 2018

A watchable semi-terrible exploitation picture...
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Hollywood Reporter
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April 20, 2018

While Patton almost single-handedly makes you want to take the film a little more seriously than is in any way warranted, it's impossible to do so on any level...
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Variety
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April 20, 2018

Attempts to marry cheap genre thrills with an unflinching depiction of the horrors of international sex trafficking, only to cheapen the latter and cast a grimy pall over the former.
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Movie Nation
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April 20, 2018

Melodramatic, cliched, but at least they got their glossy, their barely-clad Paula Patton shots in.
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Common Sense Media
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April 20, 2018

Though it may have had good intentions, this movie is ultimately ineffectual, unpleasant, and borderline offensive; it's a vicious thriller that fails in its attempts to convey serious messages.
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Austin Chronicle
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April 26, 2018

If this movie demonstrates anything, it's that this capable actress [Paula Patton] deserves better than just being known as the ex-Mrs. Robin Thicke.
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Paste Magazine
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May 03, 2018

It's too bad how basic and misguided Traffik is, considering that Dante Spinotti's cinematography is genuinely haunting and claustrophobic at times.
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Birth.Movies.Death.
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April 20, 2018

Traffik is junc.
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Los Angeles Times
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April 20, 2018

An effective weekend-from-hell thriller with a vital message, a terrific lead performance by Paula Patton and some unexpectedly dimensional storytelling from writer-director Deon Taylor.
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TheWrap
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April 20, 2018

Every scene takes about twice as long as it feels like it should, and the characters far too often make an escalating series of implausible and/or stupid decisions.
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