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EPISODE
SCHEDULE
In this drama series, Detective Martin Jones leads a long series of murders. Martin lives a double life as a killer for leasing in Los Angeles and faces many deadly conflicts that cause his tragedy. Now, Martin is going through an existential crisis that will lead him toward permanent violence and extremism and perhaps his life will grow into tragedy and violence over time.
24 May 1988, USA
8 July 1981, Oakland, California, USA
2 January 1976, Moline, Illinois, USA
5 March 1996, Palatine, Illinois, USA
3 October 1956, Toronto, Ontario, Canada
February 24, 1978 in Washington, District of Columbia, USA
February 7, 1981 in San Diego, California, USA
13 October 1999, Kingston upon Thames, Surrey, England, UK
9 November 1952, Santa Cruz, California, USA
11 February 1970, Mansfield, Ohio, USA
11 September 1959, Alexandria, Minnesota, USA
May 20, 2019
An elegant and modern western that will entertain fans of criminal threads. [Full Review in Spanish]May 18, 2019
Unfolds in a glazed and shimmering fugue state, like a chopped and screwed Michael Mann crime epic, or Michael Douglas in Falling Down wading through golden syrup.May 22, 2019
Even with all the brutalism of the past, Too Old to Die Young is [Nicolas Winding Refn's] most striking project yet.May 20, 2019
Take this for what you will, by the time the piece rolled around to the murder-porn plotline and a nameless girl buried alive in the New Mexico sands by two pornographer brothers, I was... ready to bolt.May 19, 2019
There's a difference between a filmmaker developing career-long themes and falling into a routine, and Refn's on the wrong side of that divide.May 20, 2019
Stylishly crafted but stultifyingly dull.May 20, 2019
That's a lot to unpack for a series that doesn't seem as deep as it thinks it is.May 20, 2019
All the signature Refn elements are there: a trippy, synth-heavy score from Cliff Martinez; high contrast lighting; and moments of shocking, bloody violence.May 20, 2019
It remains to be seen if the show can make its many variables gel, but there's an inherent intrigue to watching the story in medias res and still find that it offers some measure of closure in its final moments.May 21, 2019
Dimly-lit neon-drenched dreck, the two episodes I saw presented at Cannes look and feel like a bad David Lynch parody, with none of Lynch's oddities, humor, or appreciation of both the grotesque and the spiritual.